Installation view, 3-D Doings: The Imagist Object in Chicago Art, 1964-1980, Tang Teaching Museum
Installation view, 3-D Doings: The Imagist Object in Chicago Art, 1964-1980, Tang Teaching Museum
Installation view, 3-D Doings: The Imagist Object in Chicago Art, 1964-1980, Tang Teaching Museum
Installation view, 3-D Doings: The Imagist Object in Chicago Art, 1964-1980, Tang Teaching Museum
Installation view, 3-D Doings: The Imagist Object in Chicago Art, 1964-1980, Tang Teaching Museum
Installation view, 3-D Doings: The Imagist Object in Chicago Art, 1964-1980, Tang Teaching Museum
Barbara Rossi, 3-D Do,1973, fabric, acrylic on plexiglass, and hair, 39 3/16 × 29 ¼ inches, Museum of Contemporary Art Chicago, gift of Albert J. Bildner, 1974.8
Installation view, 3-D Doings: The Imagist Object in Chicago Art, 1964-1980, Tang Teaching Museum
H.C. Westermann, Memorial to the Idea of Man If He Was an Idea, 1958, pine, bottle caps, cast-tin toys, glass, metal, brass, ebony, and enamel, 56 ½ x 48 x 14 ¼ inches, Museum of Contemporary Art Chicago, Susan and Lewis Manilow Collection of Chicago Artists, 1993.34
Installation view, 3-D Doings: The Imagist Object in Chicago Art, 1964-1980, Tang Teaching Museum
Ed Flood, Zero Dead Hero, 1970, acrylic, plexiglass, wood, 31 ½ x 22 ½ x 5 ½ inches, courtesy of the Pennsylvania Academy of the Fine Arts, Joseph E. Temple Fund, 2010.10
Suellen Rocca, Purse Curse, 1968, oil on plastic purse, 8 ¾ x 5 7/8 x 2 ½ inches, Matthew Marks Gallery, New York
Art Green, Risky Business, 1980, oil on canvas mounted to panel, 77 x 41 inches, courtesy of Garth Greenan Gallery, New York
Red Grooms, Tappy Toes button, 1969, private collection
3-D Doings: The Imagist Object in Chicago Art, 1964-1980 explores the sculptural work and dimensional paintings of a group of Chicago artists collectively known as the Chicago Imagists. Contemporaneous with the Pop art movement, Chicago Imagism can be characterized as warm and wacky—a stark contrast to the cooler, more aloof Pop styles in New York and London. The Imagist movement (a term coined by art historian Franz Schulze in 1972) was propelled by a core group of artists—all graduates of the School of the Art Institute of Chicago—that exhibited their work together as The Hairy Who between 1966 and 1968 at the Hyde Park Art Center on Chicago’s South Side. The Hairy Who exhibitions were among a number of group shows held throughout the 1960s and 1970s, including False Image and the Nonplussed Some in 1968 and 1969, Marriage Chicago Style in 1970, and Chicago Antigua in 1971.
Although each artist had their own fiercely unique style, they shared a similar interest in popular culture, comics, and material objects. Some artists, like Suellen Rocca and Roger Brown, worked with mass-produced materials, manipulating and augmenting everyday household items. Other artists used materials associated with craft: Karl Wirsum, Christina Ramberg, and Philip Hanson, for instance, made extensive use of papier mâché, and Barbara Rossi used sewn fabrics in her printmaking. Some artists, including Art Green and Eleanor Dube, painted on shaped canvases. In addition to members of the original Imagist groups, the exhibition will include work by Don Baum, the chief curator of the Imagist moment; Ray Yoshida, the teacher with whom many Imagists studied at the School of the Art Institute of Chicago; H.C. Westermann, arguably the point of origin of Chicago Imagism; and Red Grooms, whose large-scale installationCity of Chicagolinks the Windy City to artists in New York City and beyond.
3-D Doingsis organized by Tang Museum Dayton Director Ian Berry and Chicago-based curators and scholars John Corbett and Jim Dempsey. The exhibition and subsequent catalogue are funded in part by The Andy Warhol Foundation, and the Terra Foundation for American Art, as part of Art Design Chicago.
Art Design Chicagois a wide-ranging initiative to explore the breadth of Chicago’s role as a catalyst and incubator for innovations in art and design. Spearheaded and funded by the Terra Foundation, with significant support from The Richard H. Driehaus Foundation, Art Design Chicago was developed in partnership with more than 40 cultural organizations to celebrate Chicago’s artists, designers, and creative producers. Art Design Chicago will feature more than 25 exhibitions and hundreds of public programs, presented throughout 2018, as well as the creation of several scholarly publications and a four-part documentary.
John Corbett and Jim Dempsey are longtime Chicago scholars and curators, having organized shows at the Smart Museum of Art at the University of Chicago, the School of the Art Institute, Chicago, and the Chicago History Museum, among others. They are the co-owners of the Corbett vs. Dempsey Gallery in Chicago.
Exhibition Name
3-D Doings: The Imagist Object in Chicago Art, 1964-1980
Exhibition Type
Group Exhibitions
Place
Wachenheim Gallery
Dates
Sep 8, 2018 - Jan 6, 2019
Curators
3-D Doingsis organized by Tang Museum Dayton Director Ian Berry and Chicago-based curators and scholars John Corbett and Jim Dempsey.
Artists
Don Baum, Roger Brown, Sarah Canright, Dominick Di Meo, Eleanor Dube, Ed Flood, Art Green, Red Grooms, Ted Halkin, Philip Hanson, June Leaf, Gladys Nilsson, Jim Nutt, Christina Ramberg, Suellen Rocca, Barbara Rossi, Evelyn Statsinger, Steven Urry, H.C. Westermann, Karl Wirsum, Ray Yoshida
Student Staff
Rachel Rosenfeld
2017-18 Eleanor Linder Winter Endowed Intern, Student Advisory Council, Education Assistant for College and Public Programs
Serena Hildebrandt
